Gosford Courthouse and Police Station (former)

Item details

Name of item: Gosford Courthouse and Police Station (former)
Other name/s: Central Coast Conservatorium of Music
Type of item: Built
Group/Collection: Law Enforcement
Category: Courthouse
Primary address: 45 Mann Street (cnr Georgiana Terrace), Gosford, NSW 2250
Parish: Gosford
County: Northumberland
Local govt. area: Central Coast
Local Aboriginal Land Council: Darkinjung
Property description
Lot/Volume CodeLot/Volume NumberSection NumberPlan/Folio CodePlan/Folio Number
LOT453 DP727721
All addresses
Street AddressSuburb/townLGAParishCountyType
45 Mann Street (cnr Georgiana Terrace)GosfordCentral CoastGosfordNorthumberlandPrimary Address

Statement of significance:

Gosford Courthouse and Police Station (former) holds State significance as a site that represents the mid-19th century consolidation of colonial legal systems and settlement on Aboriginal land. Colonial Architects Mortimer Lewis and James Barnet contributed to its design and master stonemason George Paton to its construction. The interplay between the 1848 Lewis building and Barnet’s 1887 addition holds significant research potential for understanding aesthetic, spatial and ideological changes in State-built architecture. In its current use as the Central Coast Conservatorium of Music, it has State significant values through its association with the esteemed musician and composer Erin Helyard, who began his formal tuition at the school.
Date significance updated: 25 Nov 24
Note: The State Heritage Inventory provides information about heritage items listed by local and State government agencies. The State Heritage Inventory is continually being updated by local and State agencies as new information becomes available. Read the Department of Premier and Cabinet copyright and disclaimer.

Description

Designer/Maker: Mortimer Lewis; James Barnet
Builder/Maker: George Paton
Construction years: 1848-2021
Physical description: Gosford Courthouse and Police Station (former) is a precinct containing buildings constructed between 1848 and 2021 and surrounding land.

The Courthouse and Police Station sits prominently on the high side of Mann Street on a raised sandstone base course and in close association with the Old School of Arts, Creighton's Funeral Parlour and former municipal offices. The building is utilitarian in design and eclectic in origin, having been built and modified over more than 175 years according to the designs of Colonial Architects Mortimer Lewis and James Barnet, and others through successive modifications over more than a century.

The majority of the structure is constructed in Hawkesbury sandstone, including a retaining wall, with some brickwork added later. Walls are a combination of picked finish and rough-hewn regular sandstone blocks, with black tuckpointing on the external westward wall of the 1948 addition. There are concrete steps to the street front on the west. The front elevation is largely unadorned apart from bargeboards on the gable roof line and oxidised steel signage announcing the Central Coast Conservatorium of Music.

The Lewis Courthouse has a rectangular plan with a hip roof and awning roof over the verandah along the front facade. The verandah has timber posts and cast-iron brackets. There are timber-framed, multi-paned double-hung windows throughout and timber soffits to eaves. Cast-iron decorative vents to the south facade have been retained. Sub-floor stone walls are somewhat deteriorated.

The 1887 Barnet courthouse is L-shaped with a gable roof to the front and hipped at the rear. A timber-framed hipped wing adjoins the old courthouse to the south. There are decorative barge boards and detailed stonework around the circular vent to the top of the gable end. The front faade includes three elongated timber-framed double-hung windows. A rendered chimney surmounts the roof with terracotta pots to the rear (RKH, 2020).

Original timber floors feature in the 1887, 1919 and 1948 additions to the northern and northeastern sections. These rooms also conserve their original marble fireplaces. Original windows are present in the 1887 and 1919 additions. The timber-built watch tower adjoining the south face of the Barnet courthouse is well conserved.

Extensive modifications were undertaken in 2021. This fabric is non-significant. Modifications included the demolition of intrusive built elements to the east and the subsequent construction of a staff room, store and toilets. A performers' back-of-house (or green room) area to the northwest corner now occupies the space where the enclosed 1948 verandah addition once stood. Changes to the circulation of the building impedes understanding of the original layout but are largely reversible.

Sympathetic adaptive modifications include a steel hood over the new main entry, upgrades to the verandah, a freestanding metal roof within the cell yard, glazed wall and double doors to create an entry from the rear driveway and parking area on the eastern side. Inside, lightweight partition walls form reception, office and teaching areas. Installation of tiered seating within the eastern part of the Robert Knox Hall (Barnet courthouse) radically modifies the space and obscures a fireplace and the wall panelling where the magistrate sat, yet does so in a sensitive, reversible manner. The modifications (as described in this paragraph) are non-significant.

Fixtures include several original items: marble fireplaces, metal cell doors, cell bars, decorative air vents, door fittings and remnants of the grille that once covered the courtyard. Graffiti features on the stone walls in the exercise yard and cells and on metal cell doors.
Physical condition and/or
Archaeological potential:
Largely intact. Considerable modification to internal layout and entryways during 2021 adaptive reuse development.
Date condition updated:12 Nov 24
Modifications and dates: 1848-1849: Founding sandstonebuilding by Mortimer Lewis.
1857-1861: Sandstone addition to northern end of founding building.
1887: Sandstone courtroom and timber watch tower additions by James Barnet to northern end of founding building.
1919: Further sandstone addition to northeastern corner of building.
1930s: Brick addition to southwestern corner of founding building
1948: Sandstone addition to northern face of Barnet courtroom.
1960-2020: Non-significant additions to eastern face of building and to northeastern corner of lot (removed in 2021).
2021: Non-significant additions to eastern face of building and to northeastern corner of lot. Demolition of wall sections and removal of in-fill in northernmost section of Lewis building. Replacement of 1948 verandah on northwestern corner of building and replacement with non-significant enclosure.
Further information: Additions from 2021 obstruct reading of site and building in some places, however these are reversible.
Current use: Conservatorium of music
Former use: Courthouse and police station; Aboriginal Country

History

Historical notes: STATEMENT OF COUNTRY

Gosford Courthouse and Police Station (former) is situated on Kuring-gai Country (Horton/AIATSIS, 1996) and within the boundaries of the Darkinjung Local Aboriginal Land Council. Aboriginal people have maintained strong links with the area for millennia and continue to do so despite concerted attempts to displace them, including by violence. As a site for the policing, judging and incarceration of offenders through the colonial period and during much of the 20th century, the site has a deeply troubled past. Its present use by students of music, including from Aboriginal communities, adds to the site's rich and layered history, dating from pre-colonial times to now.

FIRST CONTACT

The impacts of the new colony of New South Wales were felt by the Traditional Owners of the area even before the arrival of explorers or settlers to its shores. In 1788, Governor Arthur Phillip's first soil-hunting expedition encountered Aboriginal people whose mobility was evident in the European-made objects they carried and had presumably obtained from Sydney to the south. Again, in 1789 when Phillip and his party returned to Brisbane Water, they found smallpox had travelled ahead of them, having broken out in Sydney just months earlier. The 'lively and numerous' Aboriginal population that received them in 1788 had been decimated (Karskens, 2020).

At first, interest in seeking the interior limited interest in the upper reaches of Brisbane Water, where Gosford was later founded. Settlement occurred from 1823 with the first land grants issued that year. These landholders lived mostly in Sydney and relied on convict labour to clear the abundant forests from their newly acquired land.

JUDICIAL AND POLICE FUNCTIONS

Unruly behaviour was common in what was then a colonial backwater well beyond the watchful eye of the Sydney authorities. Several constables were assigned and the office of police magistrate established. Local magistrates exercised summary justice on lawbreakers in cases of disturbances, petty theft, arson, larceny, contraband, poaching, cattle stealing and other illicit activities but referred more serious cases to the higher courts in Sydney (Tabuteau, 1990).

The first police magistrate, Willoughby Bean, was appointed in 1826. The absence of a courthouse at this time required Bean to administer justice from his home on the banks of Erina Creek (Tabuteau, 1990). Bean did not delay in having a watch-house built, on Donnison Street, to house prisoners. The three-roomed, shingle-roofed slab-timber structure quickly became inadequate for its purpose (RKH, 2020). Around 1833, a slab-built courthouse was erected.

Aboriginal resistance in the Gosford and Brisbane Water area increased during this period of growing settlement and increased judicial and police activity. As Aboriginal groups from outside the area came in search of native and introduced food sources, and to harangue their invaders, colonial authorities and settlers employed various means to assert control over the area. In response to agitation from European landowners (Sydney Herald, 1834), the government pursued the relocation of Aboriginal population and an aggressive policy for the arrest, conviction and punishment of offenders, fetching in more serious cases death sentences commuted to life to Van Diemen's Land. Overt resistance had largely abated by the final third of the 19th century and the Aboriginal population further reduced, yet police repression continued (Freeman's Journal, 1879; Truth, 1900).

The slab-built courthouse had fallen into a ruinous state by the mid-1840s, with one prisoner managing to escape by prizing off sections of the timber (Gosford Times, 1952). A process of modernising the local judicial system and built infrastructure began. A larger population allowed for the position of police magistrate, a figure of summary justice, to be replaced with local Justices of the Peace, who deliberated in groups of two or three. Plans for a new courthouse and lock-up began in 1847. Colonial Architect Mortimer Lewis took carriage of the project, its first stage consisting of a courthouse, two cells, a yard (for executions and exercise) and rooms for a magistrate, clerk and constable. Construction was overseen by master stonemason George Paton (1800-1860), best known for his contemporaneous work on the Australian Museum (1846-1849). Lewis' building and subsequent additions served as a courthouse and lock-up for almost 140 years and a police station for half of that time.

AN EVOLVING FLOOR PLAN

The first stage of construction was progressively modified and expanded upon. Construction of an additional room to the northeast and significant repairs to the flooring and woodwork due to white ant activity took place between 1857 and 1861. A major addition by Colonial Architect James Barnet provided a spacious courtroom in 1887. Further upgrades were made through the 20th century. A grille was added over the yard in the mid-1920s. A brick expansion to the southwest in 1928 saw the rehousing of the police station on the site, having been relocated in 1863. In the mid-20th century, the building's plumbing was connected to the sewer and witness accommodation and a verandah added to the north and west respectively.

FROM BACKWATER TO BRIDGE

Increasing connections between Gosford and the rest of the colony continued to transform the region and bring about demographic changes. By the late 1870s, a telegraph ran between Wallsend and Gosford and twice-weekly steamers had shortened the trip from Circular Quay to the mouth of the Hawkesbury River to three hours (SMH, 1878). But it was the prospect of a rail connection that prompted the greatest influx of investment and settlement. The Newcastle-to-Gosford passage opened in 1887. Two years later, a rail bridge across the Hawkesbury connected Gosford with Sydney and, in doing so, joined the railway systems of the eastern colonies (Beer, 2023). Rail continued to be the principal form of transport linking Gosford for much of the 20th century, thanks in part to the electrification of the Sydney-Gosford line in 1960. Road access from north Sydney became possible in 1946 after more than a decade's work and was upgraded in the 1960s with the first section of the Sydney-Newcastle motorway, completed in the 1990s.

DEVELOPMENT PRESSURES

With metropolitan interest growing in Gosford through the second half of the 19th century, pressures to rebuild mounted. One commentator derided the humble quality of the existing courthouse yet his wishes for its replacement with 'buildings of a better description' did not eventuate (Sydney Mail, 1886). Instead, Colonial Architect James Barnet was enlisted to expand the building with a courtroom and watch tower in 1887, albeit significantly more stately than previous elements.

In the context of growing pressures on Gosford's built heritage, in 1958, the Brisbane Water Historical Society attached a plaque on the Mann Street frontage of the Barnet courthouse. The plaque commemorates Captain Gother Kerr Mann (1808-1899), after whom Mann Street is named. The historical figure does not, however, have any special connection to the site, having practised briefly as a magistrate in Gosford before the Courthouse's construction (Dargan, 1997). The plaque was stolen for unconfirmed reasons in the 1990s and was subsequently replaced.

Plans to demolish the site surfaced again in the 1970s amid a rush to construct, which saw the Imperial Centre shopping complex built on Mann Street. Amid increasing awareness of the need to control development, sections of the community sought to defend Gosford's heritage through the 1970s and 1980s. Measures included seeking protection for the courthouse and police station. Locals Robert Knox and Tudor Davies held a public meeting in 1981 to explore the possibility of establishing a music centre in Gosford, citing a desperate need in the community. They secured the use of a vacated TAFE plumbing workshop in the old Gosford primary school building a short distance east of the Courthouse and Police Station. Enrolments grew from 68 in the first year of teaching to 200 students and 15 teachers by 1983 (Knox, 2007).

A MUSICAL REPRIEVE

When the courthouse fell vacant in 1987, Knox and others occupied the building for the purposes of establishing a school of music, known as the Central Coast Music Centre. One of its earliest students was a 10-year-old Erin Helyard, whose musical education had up to this point been limited to the radio and magazine subscriptions (ABC Classic, 2021; Music in the Regions, n.d.). Community pressure succeeded in formalising the Music Centre's status when, some months after the occupation had begun, NSW Premier Barry Unsworth announced the building would become the permanent home of a conservatorium. In 1988, the site was listed on the Gosford Local Environmental Plan and, in 1991, The University of Newcastle assumed its management for a short period.

In 1993, the school was renamed the Central Coast Conservatorium of Music, the title under which it operates today. Major refurbishment was carried out in 2021 to improve the building's facilities for music education while minimising harm to its historical fabric.

Historic themes

Australian theme (abbrev)New South Wales themeLocal theme
2. Peopling-Peopling the continent Aboriginal cultures and interactions with other cultures-Activities associated with maintaining, developing, experiencing and remembering Aboriginal cultural identities and practices, past and present. All nations - imprisoning and detaining Aboriginal peoples-
6. Educating-Educating Education-Activities associated with teaching and learning by children and adults, formally and informally. Educating people in regional locations-
6. Educating-Educating Education-Activities associated with teaching and learning by children and adults, formally and informally. Musical education-
7. Governing-Governing Law and order-Activities associated with maintaining, promoting and implementing criminal and civil law and legal processes (none)-

Assessment of significance

SHR Criteria a)
[Historical significance]
Gosford Courthouse and Police Station (former) is State significant for its strong associations with the transition of the Brisbane Water area from a colonial frontier into an established European settlement. Its construction in 1848 occurred with settlers having largely repressed Aboriginal resistance and established a firmer hold on Aboriginal land and resources. Built of stone, it replaced its timber slab-built predecessor on Donnison Street to become the new headquarters of a better-resourced judicial and policing apparatus. The exercise of colonial law and order on Aboriginal, convict and settler populations in Gosford and the Brisbane Water area was instrumental in creating the conditions for the region’s later growth.
SHR Criteria b)
[Associative significance]
Gosford Courthouse and Police Station (former) is State significant for its association with Colonial Architects Mortimer Lewis (1796-1879) and James Barnet (1827-1904), and master stonemason George Paton (1800-1860). Lewis and Barnet were 2 of the longest-serving Colonial Architects (1835-1849 and 1862-1890 respectively). Paton, best known for his work on the Australian Museum, was master stonemason to Lewis on the earliest section of the Courthouse and Police Station.

The association of classical musician and composer Erin Helyard (1977-) with the site dates to its transformation into the Music Centre in 1987, when, around the age of 10, Helyard began his formal tuition at the school. Thanks to the Centre, Helyard discovered in music a ‘beautiful safe, wonderful ... world of discovery’ on the Central Coast, where opportunities were otherwise largely unavailable to him. While studying at the Centre, Helyard was exposed to visiting figures from Australia’s classical music scene, an experience that effectively launched his illustrious career as a harpsichordist, composer, musicologist and conductor.
SHR Criteria e)
[Research potential]
Gosford Courthouse and Police Station (former) has State-significant research potential as the product of Colonial Architects Mortimer Lewis and James Barnet. The long tenure of Lewis and Barnet make their bodies of work particularly instructive in understanding the evolution of colonial architectural practice and the representation of power in the colony. The interface between Lewis’ 1848 building and the subsequent additions - most significantly, Barnet’s 1887 courtroom and watch tower - has produced an idiosyncratic building. Its analysis, alongside other examples of Barnet’s modification of Greenway and Lewis designs, could shed light on government architectural practice (its priorities, methods, materials and aesthetics) in 19th-century NSW.
Integrity/Intactness: Largely intact.
Assessment criteria: Items are assessed against the PDF State Heritage Register (SHR) Criteria to determine the level of significance. Refer to the Listings below for the level of statutory protection.

Procedures /Exemptions

Section of actDescriptionTitleCommentsAction date
57(2)Exemption to allow workHeritage Act - Site Specific Exemptions Exemption Order for Gosford Courthouse and Police Station (former) listing on the SHR No. 02103 under the Heritage Act 1977

I, Penny Sharpe, the Minister for Heritage, on the recommendation of the State Heritage Register Committee as delegate of Heritage Council of New South Wales dated 3 December 2024, make the following order under section 57(2) of the Heritage Act 1977 (the Act) granting an exemption from section 57(1) of the Act in respect of the engaging in or carrying out of any activities described in Schedule C by the owner, manager, mortgagee or lessee (or persons authorised by the owner or manager) of the item described in Schedule A on the land identified in Schedule B.

This Order takes effect on the date it is published in the NSW Government Gazette.


Dated this 18th day of February 2025.


The Hon Penny Sharpe MLC

Minister for Heritage

SCHEDULE A

The item known as Gosford Courthouse and Police Station (former) SHR No. 02103, situated on the land described in Schedule B.


SCHEDULE B

The item known as Gosford Courthouse and Police Station (former) SHR No. 02103, located as identified on the plan catalogued HC Plan 3337 in the office of the Heritage Council of New South Wales.


SCHEDULE C

The following specified activities/ works to an item do not require approval under section 57(1) of the Act.

GENERAL CONDITIONS

These general conditions apply to the use of all the site specific exemptions and must be complied with:
a) If a conservation management plan (CMP) is prepared for the place, it must meet the following conditions:
i. It must be prepared by a suitably qualified and experienced heritage professional.
ii. It must be prepared in accordance with the requirements for a detailed and best practice CMP as outlined in the Heritage Council of NSW document Statement of best practice for conservation management plans (2021).
iii. It must be consistent with the Heritage Council of NSW documents: Guidance on developing a conservation management plan (2021) and Conservation Management Plan checklist (2021).
b) Anything done under the site specific exemptions must be carried out by people with knowledge, skills and experience appropriate to the work (some site specific exemptions require suitably qualified and experienced professional advice/work).
c) The site specific exemptions do not permit the removal of relics or Aboriginal objects. If relics are discovered, work must cease in the affected area and the Heritage Council of NSW must be notified in writing in accordance with section 146 of the Heritage Act 1977. Depending on the nature of the discovery, assessment and an excavation permit may be required prior to the recommencement of work in the affected area. If any Aboriginal objects are discovered, excavation or disturbance is to cease, and Heritage NSW notified in accordance with section 89A of the National Parks and Wildlife Act 1974. Aboriginal object has the same meaning as in the National Parks and Wildlife Act 1974.
d) Any works/activities undertaken under these exemptions should have consideration for the archaeological value of the place. Excavation and ground disturbance including but not limited to services, drainage or signage, should only occur in areas of existing trenching, or demonstrably disturbed ground or areas of low or lesser potential as determined by an archaeological assessment or zoning plan, prepared by a suitably qualified archaeologist.
e) Activities/works that do not fit strictly within the exemptions described below require approval by way of an application under section 60 of the Heritage Act 1977.
f) The site specific exemptions are self-assessed. It is the responsibility of a proponent to ensure that the proposed activities/works fall within the site specific exemptions.
g) The proponent is responsible for ensuring that any activities/ works undertaken by them meet all the required conditions and have all necessary approvals.
h) Proponents must keep records of any activities/ works for auditing and compliance purposes by the Heritage Council of NSW. Where advice of a suitably qualified and experienced professional has been sought, a record of that advice must be kept. Records must be kept in a current readable electronic file or hard copy for a reasonable time.
i) It is an offence to do any of the things listed in section 57(1) of the Heritage Act 1977 without a valid exemption or approval.
j) Authorised persons under the Heritage Act 1977 may carry out inspections for compliance.
k) The site specific exemptions under the Heritage Act 1977 are not authorisations, approvals, or exemptions for the activities/ works under any other legislation, Local Government and State Government requirements (including, but not limited to, the Environmental Planning and Assessment Act 1979 and the National Parks and Wildlife Act 1974).
l) The site specific exemptions under the Heritage Act 1977 do not constitute satisfaction of the relevant provisions of the National Construction Code for ancillary works. Activities or work undertaken pursuant to a site specific exemption must not, if it relates to an existing building, cause the building to contravene the National Construction Code.
m) In these exemptions, words have the same meaning as in the Heritage Act 1977 or the relevant guidelines, unless otherwise indicated. Where there is an inconsistency between relevant guidelines and these exemptions, these exemptions prevail to the extent of the inconsistency. Where there is an inconsistency between either relevant guidelines or these exemptions and the Heritage Act 1977, the Act will prevail.
n) The Heritage Manual (1996, Heritage Office and Department of Urban Affairs & Planning) and The Maintenance Series (1996 republished 2004, NSW Heritage Office and Department of Urban Affairs & Planning) guidelines must be complied with when undertaking any activities/works on an item.


EXEMPTION 1: OPERATION OF CONSERVATORIUM OF MUSIC

Specified activities/ works:

(a) All activities/ works associated with the ongoing use of the site for its music education and performance-related purposes which do not impact on the heritage values and significant fabric of the site.
(b) Installation of and alterations to lightweight partitions required to accommodate business functions, as long as this work will have no adverse impact on heritage significance and/ or obscure or alter significant views towards significant fabric.

Relevant standards:
i. Partitions must be reversible.
ii. No fixings are to be made into masonry walls or window joinery.



EXEMPTION 2: DISPLAY OF EDUCATIONAL OR PROMOTIONAL MATERIAL

Specified activities/ works:

(a) Minor works such as installation of hanging systems for display of educational or promotional material, student works or shelving.

Relevant standards:
i. Works and fixings must avoid impacts on significant fabric and not obscure significant features.
ii. Installation must be on recently constructed walls and partitions, utilise hanging systems that fix into mortar or existing holes and plugs in non-external walls or, otherwise, make use of portable display units.


EXEMPTION 3: TEACHING AND AUDIO-VISUAL EQUIPMENT

Specified activities/ works:

(a) Interior works and activities associated with the installation or upgrading of computing equipment, TV screens, teaching fittings and fixtures (such as smart boards, shelving, benches and storage units) and audio-visual equipment.

Relevant standards:

i. The installation of new services shall be carried out in such a manner as to minimise damage to or removal of significant fabric and shall not obscure historic features. Any new penetrations through significant fabric shall be minimised. Where possible, existing service points shall be used.
ii. Such works will not involve penetration of the exterior shell without prior heritage architectural and heritage engineering advice that demonstrates that the works will not result in impacts to significant fabric.


EXEMPTION 4: TEMPORARY STRUCTURES

Specified activities/ works:

(a) Installation of temporary and reversible structures for the operation of special events and activities (i.e. outdoor performances, markets, art shows, gallery exhibitions, filming) lasting no more than 90 calendar days.

Relevant standards:

i. Activities/ works must not have an adverse impact on heritage significance and/or obscure or alter significant fabric.
ii. No further temporary structure or structures may be erected again on the site, under this exemption, within a period of 60 calendar days.
Feb 21 2025
57(2)Exemption to allow workStandard Exemptions HERITAGE ACT 1977

ORDER UNDER SECTION 57(2) TO GRANT STANDARD EXEMPTIONS FROM APPROVAL

I, Penny Sharpe, the Minister for Heritage, on the recommendation of the Heritage Council of New South Wales and under section 57(2) of the Heritage Act 1977:

revoke the order made on 2 June 2022 and published in the Government Gazette Number 262 of 17 June 2022; and

grant an exemption from section 57(1) of the Act in respect of the engaging in or carrying out the class of activities described in clause 2 Schedule A in such circumstances specified by the relevant standards in clause 2 Schedule A and General Conditions in clause 3 Schedule A.

This Order takes effect on the date it is published in the NSW Government Gazette.

Dated this 29th day of October 2025
The Hon Penny Sharpe MLC
Minister for Heritage

For more information on standard exemptions click on the link below.
Nov 7 2025

PDF Standard exemptions for engaging in or carrying out activities / works otherwise prohibited by section 57(1) of the Heritage Act 1977

Listings

Heritage ListingListing TitleListing NumberGazette DateGazette NumberGazette Page
Heritage Act - State Heritage RegisterGosford Courthouse and Police Statio0210321 Feb 25 68 
State Environmental Planning PolicyState Environmental Planning Policy (Precincts—R38   
National Trust of Australia register      
Register of the National Estate     

Study details

TitleYearNumberAuthorInspected byGuidelines used
Central Coast Conservatorium of Music: Conservation Management Strategy202019.009Romey.Knaggs Heritageorrn Yes
Central Coast Conservatorium of Music: Heritage Impact Assessment202019.009Romey.Knaggs Heritageorrn Yes

References, internet links & images

TypeAuthorYearTitleInternet Links
ElectronicABC Classic2021Harpsichordist and Conductor Erin Helyard View detail
WrittenChris Beer2023Sydney’s Ordinary Outliers: Long-Distance Commuting and Outer Metropolitan Coastal Suburbanization, 1945-2001 View detail
WrittenFreeman's Journal / A Wanderer1879Notes of Brisbane Water View detail
WrittenGML Heritage2023Central Coast Thematic History: Report prepared for Central Coast Council (Draft Report, July 2023)
WrittenGosford Times and Wyong District Advocate1952Stories of the Past: A Gimlet Helped a Prisoner Escape View detail
WrittenGrace Karskens2020People of the River: Lost Worlds of Early Australia
WrittenJames Dargan1997The Family of Mann (Local Studies Monograph, no. 16)
WrittenJames Smith1834The Blacks of Brisbane Water View detail
ElectronicMusic in the Regions An Interview with Dr Erin Helyard View detail
WrittenPhilippe Tabuteau1990Historical Records of the Central Coast of New South Wales: Bench Books & Court Cases, 1826-74 View detail
WrittenRobert Knox2007A Brief History of the Beginning of the Central Coast Conservatorium of Music
WrittenSydney Mail and New South Wales Advertiser1886The Township of Gosford View detail
WrittenSydney Morning Herald1878Proposed Railway from Sydney to Newcastle View detail
WrittenTruth / Old Chum1900Black and White: Some Aboriginal Trials View detail

Note: internet links may be to web pages, documents or images.

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Data source

The information for this entry comes from the following source:
Name: Heritage NSW
Database number: 5055266
File number: EF23/15717


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